Putting Back the Wall.

Putting Back the Wall. Photographs by John Gossage. Essays by Thomas Weski and Gerry Badger. Loosestrife Editions, Tucson, 2007. 132 pp., 134 duotone images., 10x13".

We have builders in... and it's the start of dark Swedish winter outside... (does that make any sense?)

"This new volume presents Gossage's Berlin photographs from 1982-1989 revisited as memory. These are documentary photographs, which promise clarity - yet deliver only mystery or might promise invention and fiction - yet actually deliver truth. With every Gossage book there is an inevitable nod to the artistry of the Photobook. An exquisite cover fashioned from the remains of a deteriorating album sets the tone of the publication. Essays by Gerry Badger, Thomas Weski and John Gossage presented in the unconventional, yet masterful manner we have come to expect in a Gossage production. This 2007 volume will also be sold in a slip case with the 2005 'Berlin in the Time of the Wall' in an edition called The Complete Berlin."

World Paperback Design.

World Paperback Design. By Hiroshi Eguchi. PIE books, numerous illustrations.

I haven't been looking at blogs for quite some time now (like the blogging really), but after I posted the last post I realised that "This Is For You" had been mentioned at a number of places (not that I like it any less though!) there amongst at Book By Its Cover. She's also posted about this wonderful book above!

"In the introduction the author/editor talks about his love for the covers of books. He mentions getting a thrill out of searching through flea markets paperback sellers and recognizing the illustrators and graphic designers by their look. This book contains covers of over 300 paperbacks from around the world published from the late 1950s to the 1970s. The chapters are broken up into countries.

[...]

The book has a nice simple layout - images of the paperbacks at almost actual size or stacks of their series so we can see the spines."

Read her full description here. I just love love love paperback covers and have a fair selection myself (mostly picked up at flea markets / discarded by relatives and very often picked on the strength of its' cover alone in a language I don't understand myself).

I'd just love to get my hands on this book, but it doesn't seem possible to get it to Europe sadly...

This Is for You.

This Is for You. By Rob Ryan. Sceptre, 2007. 64pp., numerous illustrations, 7.6 x 5.9 x 0.6". Found via and some of images from Niotillfem.

"If you believe in love, but find it difficult to explain - this is for you.
Rob Ryan has been cutting pictures out of paper for many years. He has exhibited all over the world."

For more of him and his work go here (it's wonderful!). I think this book is beautiful and poetic. The kind of work that makes me want to get back to being immersed into it myself...

"It is a story but completely told in papercut out pictures." - Rob Ryan

Be sure not to miss!

"Vår" ("Spring") by Anita Elgerot.

Don't miss Anita Elgerot's exhibition at Galleri1 / Kultur1 starting tomorrow Nov 2nd! This is an internet exhibition so you non-Swedish residents can enjoy it too! (Go to the link above and then click "GÅ TILL GALLERIET" in the text to view the gallery of paintings).

We are lucky enough to own a small collection of her work and are really excited to see what's new!

UPDATE: Updated the link and how to view the paintings.

I'm sorry I haven't posted for such a long time

Flower Matango, 2001-2006, in oil paint, acrylic and fiberglass. By Takashi Murakami. Exhibited now at the MOCA (Los Angeles).

This time it's really been seriously long since I've posted: we've moved in quite a stressful manner and now we're in a state of mess since the flat's being redecorated - I guess time just flew by a bit quickly... Anyhow: I just couldn't let it turn into November without posting!

Takashi Murakami is probably best known for his collaboration with Louis Vuitton / Marc Jacobs - a collaboration that I thought was completely uninspiring... This piece above on the other hand I really thought was very magical!

Burma and (its') peaceful resistance

Read this article in today's Independent.

Burma and (its') peaceful resistance - subjects I've found profoundly important and sadingly under-reported for so long are finally being highlighted to some extent. My hope is that it will result in real change.

Galaxy of stars

I thought this image of new stars forming in the milkyway galaxy was really beautiful.

Typography wallpaper

"Typography". Wallpaper by Deborah Bowness (found via Bloesem).

As I've written before (and before and before amongst other) I have a soft spot for typography - I also really like what Deborah Bowness is trying to do with wallpaper...
So I guess that it's not too strange that I'm drawn to above, but it would be really interesting to see what it looks like in reality I think.

Strange and Singular.

Strange and Singular. Photographs by Michael Abrams. Loosestrife Editions, Tucson, 2007. 144 pp., 117 duotone and 33 four color images., 7¾x8¾".

" A journey informed by a quote from Michel Foucault… “a readiness to find strange and singular what surrounds us; a certain relentlessness to break up our familiarities and to regard otherwise the same things; a fervor to grasp what is happening and what passes; a casualness in regard to the traditional hierarchies of the important and the essential”.

This first book by Michael Abrams is an album in which the artist’s image makes only a fleeting appearance, yet whose hand touches every page."

More wonderful from Ana Ventura

paperdoll #78, 11,811 inches x 15,749 inches (30cm x 40cm)

As you might've gathered before (and before and before) I just LOVE everything ana ventura!

This feels really crisp and wintery in a good way (and that says a lot as winter and I are not good friends). ...and I'm having a thing for lace in unusual contexts at the moment.

At long last Burma has begun to claim the attention of our politicians

"At long last Burma, one of the world's most under-reported human rights tragedies, dominates our media – and has begun to claim the attention of our politicians."

This article in today's Independent is very good.

Czech Eden.

Czech Eden. Photographs by Matthew Monteith. Text by Ivan Klima. Aperture, New York, 2007. 80 pp., 58 color illustrations, 11x9½".

"Combining restraint, brilliant color and a certain thoughtful attention to the uncanny within the everyday, Monteith's photographs parallel a venerable tradition staked out by masters like Joel Sternfeld, and embodied in contemporary work by younger photo-documentarians like Alec Soth. Though at times foreboding, an energetic optimism and humor pervades Monteith's work. His meticulously composed and beautifully produced images focus on individuals, landscapes, oddly stilled cityscapes and the worn traces of the country's long and complex history."

"Czech Eden, Monteith's first monograph, is not a literal description or documentation, but rather a parable in which the viewer encounters individuals and environments that are cohesive yet contradictory, beautiful but unsettling."

Autumn photo-eye booklist out

Autumn photo-eye booklist out - don't miss it!

Farewell Photography.

Farewell Photography. Photographs by Daido Moriyama. PowerShovel, Tokyo, 2006. 276 pp., Numerous b&w illustrations throughout, 9x11½".

I think this book is really powerful.

"Inspired by William Klein’s blurred photos of New York street life, Andy Warhol’s silk-screened productions and Jack Kerouac’s free-spirited travel writing, Moriyama developed a new and radical approach to producing images. These broken, rough and blurred black and white photographs paved the way for what would become his future trademark style."

The original book (now very difficult to get hold of) would be my first choice. I think this classic work of Japanese photography is fantastic and would have preferred a straight re-print rather than a "reinterpretation". The decisions behind the "reinterpretation" was explained like this:

"No prints or negatives exist for the material represented in the original Farewell Photography, so this reprint was produced using a copy of the original book as source material.

Larger than the original (and with no text whatsoever), this version emphasizes even more strongly Moriyama's frenetic, dynamic approach to image making.

And the choice to reprint reprinted material (because, after all, the original book was still a reprint of the photographs themselves) raises interesting critical issues.

The aesthetic decisions involved reflect on both photography's development as a medium and the recent interest in the history of photography books - spurred in no small part by the Photobook history by Martin Parr and Gerry Badger."

Ephemeral Moments.

Ephemeral Moments. Photographs by David H. Gibson. David H. Gibson, Dallas., 2007. Unpaged, 8½x11¾". Limited edition. 3 volumes fitted in a clam shell box, each volume contains 9 Archival Pigment Prints.

Very, very beautiful and evoking ! The images of mist, fog, water and fire are lent a magical and other-worldly quality in these wonderful photographs. I also really like the craftsmanship and work that's gone into producing the book:

"The book is printed and crafted in our studio using the Epson 9800 using Epson Ultrachrome K-3 inks on Hahnemuhle Photo Rag 308. After printing we spray the prints with 3 coats of Hahnemuhle Protective Spray. The accordion books are fabricated using 100% cotton rag mat board for the construction of the binding board and clam shell boxes. The adhesives are Bienfang Color Mount and PVA glue. The mat board is covered with 'Mohair' a book binding fabric. The fabric is produced by World Cloth Co. Ltd. in Japan."

Also go to David H. Gibson's website for more of his work.

Quinault.

Quinault. Photographs and text by Yoshihiko Ueda. Seigensha, Kyoto, 2003. Unpaged, 39 four-color illustrations, images printed on a heavy matt paper, 10¼x14¼".

"The Quinault and Hoh Rain Forest are known as the "Valleys of the Rain Forest Giants", with an annual rainfall average of up to 400 inches that provides a moisture rich environment in which trees grow to record sizes. In the summer of 1990, while on assignment scouting locations to photograph models, Ueda "experienced a strange, but unfocused moment of vision" that caused him to consider, for the first time, photographing the forest itself. That brief moment led to a prolonged sojourn, the following spring, with an 8 x 10 camera and color film. The images make use of a simple eye level vantage point, and amply convey what it is like to wander through the forests, to pause at times to take in a fallen tree covered with moss, or to stand still amidst the undergrowth. Ueda has printed the work so as to emphasize the blue tint to the light and the deepness of the shadows, a perfect complement to his original experience. The overall effect is one of shared participation on the part of the viewer."

The Photographer's Eye.

The Photographer's Eye. Text by John Szarkowski. Numerous contributing photographers. The Museum of Modern Art, New York, 2007. 156 pp., 173 duotone illustrations, 8½x9".

"The Photographer's Eye by John Szarkowski is a twentieth-century classic - an indispensable introduction to the visual language of photography. Based on a landmark exhibition at The Museum of Modern Art in 1964, and originally published in 1966, the book has long been out of print. It is now available again to a new generation of photographers and lovers of photography in this duotone printing that closely follows the original. Szarkowski's compact text eloquently complements skillfully selected and sequenced groupings of 172 photographs drawn from the entire history and range of the medium. Celebrated works by such masters as Cartier-Bresson, Evans, Steichen, Strand, and Weston are juxtaposed with vernacular documents and even amateur snapshots to analyze the fundamental challenges and opportunities that all photographers have faced. "

Every frame is perfect in its' composition and relationship within its' context in the book! This can surely be attributed to Szarkowski eye:

"Szarkowski, the legendary curator who worked at the Museum from 1962 to 1991, has published many influential books. But none more radically and succinctly demonstrates why - as U.S. News & World Report put it in 1990 - 'whether Americans know it or not,' his thinking about photography 'has become our thinking about photography.'"

Euro Deco: Graphic Design Between the Wars.

Euro Deco: Graphic Design Between the Wars. By Steven Heller and Louise Fili. Chronicle Books, 2005. 500pp., colour illustrations, 9.1 x 8 x 1.6".

As I've written before I have a huge soft-spot for typography and typography books - I also really like Modernism and to some extent the aesthetics of Art Deco (even though it's been somewhat trivialised). This book, recommended to me when I bought the fantastic ABZ, seems like it could be worth checking out.

"One of the most beloved design styles of nostalgic collectors, Art Deco developed in France following World War I and quickly became popular around the world, proliferating in lively posters, typefaces and skyscraper designs. Borrowing from Modernism's austere simplicity, while incorporating flourishes that would appeal to a mass audience, Art Deco allowed manufacturers to boost consumer desire for new and fashionable products. A compilation of six now out-of-print books from Chronicle's Deco Graphic Design series, this volume offers lesser-known examples of Deco graphic design from six countries: France, Italy, Germany, Spain, the Netherlands and England. The playful advertisements and product labels, many created by unknown artists, demonstrate the breadth of the style's reach and its variation across Europe. Dutch beer posters, German cigarette packages and Italian book covers burst with color, allowing readers to slip back into a time in which the airplane was "a symbol of futuristic wonder" and inventions like furnaces and Pyrex pots were making their debuts. In each chapter, Heller, senior art director for the New York Times, and Fili, principal of a New York graphic design firm, introduce the historical context surrounding each country's Art Deco movement, noting prominent poster artists who influenced the field. Whimsical and informative, this volume should keep readers coming back for multiple perusals." -- Publishers Weekly

I love love love this use of patchwork!

All images from squintlimited.com

These fantastic furnitures are made by Lisa Whatmough and sold in her store Squint in London. Her work can also be bought in the US and at Liberty department store (London).

I love the original use of patchwork techniques, the colours, the intuitive use of and bold mix of pattern, the vintagy feel and inclusion of surprising objects (patchwork tea pot for example).