Monday, March 19, 2012

The Mushroom Collection. Minneapolis.

The Mushroom Collection. Minneapolis. By Jason Fulford. Minneapolis Institute of Arts, 2012. 24 pp., illustrated throughout, 6,5x9,5".

I really like this project by artist Jason Fulford, its starting-point and what it's developed into. The exhibition at Minneapolis Institute of Arts (which this book is the catalogue of) is on until April 8.

More information here, here, here and here. Jason Fulford is also one of the founders of J&L Books, whose output I really like.

Book description:

"A few years ago, a friend gave artist Jason Fulford a manila envelope, found at a flea market. The envelope contained more than 80 photographs of different mushroom types, each composed and annotated with the care of someone who just had to be a mushroom collector.

These anonymous photographs inspired Fulford to create his own collection of photographs, publications, sculptures, and performances, all under the umbrella of The Soon Institute.

Similar to the lifecycle of mushrooms, the project goes underground and periodically sprouts up in various artistic forms (including The Mushroom Collector, a book he published in 2010), in unexpected locations, such as New York, California, and Amsterdam.
John Cage, the avant-garde musician, thinker, and, of course, mushroom collector, noted in his book 'For the Birds' (1981), "It's useless to pretend to know mushrooms. They escape your erudition. [The more you know them] the less sure you feel about identifying them."

Fulford's photographs draw inspiration from Cage's pleasure, wonder, and openness in the pursuit of visual knowledge.

The pictures appear to be unremarkable shots of commonplace objects, people, and places. Yet a closer look reveals humorous and subtle oddities: a crane lifting two ladders; a natural branch form casting an artificial multicolor shadow; a happy threesome running toward a cave as though part of a travel advertisement.

Instead of a singular, heroic photograph, Fulford's images reveal themselves through repetition, sequences, relationships between form and shadow, abstraction and reality."

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